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<channel>
	<title>Tomas Harris 1908-1964 - Artist/Goya Specialist/MI5 Officer</title>
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	<link>http://tomasharris.com</link>
	<description>The Tomas Harris Website for all you bloggers out there.. Site owned by Anita Harris</description>
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		<title>Books and Screenplays all about Tomas Harris &#8211; Details about Tomas Wanted</title>
		<link>http://tomasharris.com/books-and-screenplays-all-about-tomas-harris-details-about-tomas-wanted/</link>
		<comments>http://tomasharris.com/books-and-screenplays-all-about-tomas-harris-details-about-tomas-wanted/#comments</comments>
		<pubDate>Fri, 13 Aug 2010 16:38:55 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Garbo]]></category>
		<category><![CDATA[MI5/SIS]]></category>
		<category><![CDATA[Tomas Harris]]></category>
		<category><![CDATA[andreu jaume]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[Christopher Maton]]></category>
		<category><![CDATA[fortitude]]></category>
		<category><![CDATA[joshua Levine]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[WWII]]></category>

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		<description><![CDATA[I have received an enquiry (see below) from an author Joshua Levine who informed me that he is very interested in researching Tomas Harris and wants to write a book about the men behind the double agents in world war II, specifically Operation FORTITUDE. (Tomas Harris who was the MI5 controller in charge of agent [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: Calibri, Verdana, Helvetica, Arial;">I have received an enquiry (see below) from an author Joshua Levine who informed me that he is very interested in researching Tomas Harris and wants to write a book about the men behind the double agents in world war II, specifically Operation FORTITUDE. (Tomas Harris who was the MI5 controller in charge of agent GARBO (Juan Pujol) planned operation Fortitude with Garbo). Joshua has very similar interests to Christopher Maton (<a href="http://tomasharris.com/history-drama-screenplay-tomas-harris-by-christopher-maton/">see earlier post</a>), who is currently writing  a screenplay about Tomas Harris. I have put them in touch with eachother. If anyone has information that they would like to share with Joshua Levine or Christopher Maton or even Andreu Jaume in Mallorca who is also writing a book about Tomas Harris then please contact me using this <a href="http://tomasharris.com/contact/">Contact Form</a> and I will be very happy to help.</span></p>
<blockquote><p><span style="font-family: Calibri, Verdana, Helvetica, Arial;"><br />
My name is Joshua Levine  and I am an author. Having found your very impressive website, I decided to  contact you as I have begun work on a book about Operation FORTITUDE for the  publisher Harper Collins. My previous books include ‘On a Wing and a Prayer’  (about the Royal Flying Corps) and ‘Beauty and Atrocity’ (about the Northern  Ireland Troubles), as well as various Forgotten Voices oral histories.</span></p>
<p>It feels like a stroke of good luck finding your website. I have read  Christopher Maton’s post, and I agree completely with him, that in many existing  books on FORTITUDE, that there has not been enough focus on Tomas Harris, and  and not enough stress on the sheer human drama of the events. The reason for  this is fairly clear when one immerses oneself in the relevant archive material.   Much of it – for example in the PRO and the the IWM &#8211; concerns strategies and  tactics, lists of imaginary troops movements, double agents’ wireless messages,  but doesn’t paint a picture of the individuals concerned or the atmosphere in  which they worked. (There are exceptions, of course &#8211; for example the Liddell  diaries, and the odd vivid interrogation from a KV file.)</p>
<p>As a result, It  seems to me that too much emphasis has come to be placed on the double agents  themselves, and not enough on those running them. Men like Harris and Hugh  Astor. These were the men who had to do the work, inhabiting their agents’  personas, avoiding the single error that could put the entire system in  jeopardy, and serving up a complex deception plan in small pieces. The agents  themselves were sometimes just the means of doing so.</p>
<p>It is for this  reason that I would like to meet people who knew Tomas Harris (and the other  handlers) and who can tell me what their lives and their jobs really consisted  of. I have only just begun this search, and to kick it off, I will be meeting  Christopher Mills, the son of Cyril Mills later this week. And now, having found  your website, I would love to know whether you could point me in the direction  of anybody who knew Tomas, and who could paint a picture of him. Or, for that  matter, a picture of wartime life in MI5. It would be very interesting to get in  touch with Christopher Maton to share thoughts and ideas. I might have a few for  him! Please feel free to forward this email to him.</p>
<p>Anyway,  congratulations on the website, and I very much look forward to hearing from  you.</p>
<p>Joshua Levine</p></blockquote>
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		<title>Real Life Historical Drama &#8211; Partially completed Screenplay by Christopher Maton</title>
		<link>http://tomasharris.com/history-drama-screenplay-tomas-harris-by-christopher-maton/</link>
		<comments>http://tomasharris.com/history-drama-screenplay-tomas-harris-by-christopher-maton/#comments</comments>
		<pubDate>Fri, 06 Aug 2010 18:36:21 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Tomas Harris]]></category>

		<guid isPermaLink="false">http://tomasharris.com/?p=461</guid>
		<description><![CDATA[Christopher Maton has written to me through this website. He has partially completed writing a screenplay which focuses mainly (but not exclusively) on the partnership of Tomas Harris and Juan Pujol and their hugely important contribution to the conduct of FORTITUDE, the cover and deception operation for D Day. It was great to hear from [...]]]></description>
			<content:encoded><![CDATA[<div>Christopher Maton has written to me through this website. He has partially completed writing a screenplay which focuses mainly (but not exclusively) on the partnership of Tomas Harris and Juan Pujol and their hugely important contribution to the conduct of FORTITUDE, the cover and deception operation for D Day. It was great to hear from him.</div>
<div>And here I quote from Chris</div>
<div>
<blockquote><p>There is a story in here nonetheless that is crying out to be told. Whilst there are many factual books and documentaries on the subject, very few focus on Harris and very few do justice to the drama of events and characters concerned. To put this right we need to unearth as much as possible about the individual personalities. Not facts and dates, but motivations and emotions. If anyone reading your website can offer any help with this, then I would be very pleased to hear from them.</p>
<p>Then of course the story needs to be played out on the screen. Any help with that would also be gratefully accepted</p></blockquote>
</div>
<div>I have introduced Chris to Nigel Glendinning and they have already arranged to meet up. Nigel will be a great help even if he only met Tomas a couple of times. Chris is hoping to bring out the art theme quite strongly in the screenplay, and it sounds like Nigel will be able to help with that!</div>
<p>Chris also says :-</p>
<blockquote><p>I am also very keen to draw out the &#8220;art angle&#8221; in the screenplay, both in relation to Tomas&#8217; character and also in relation to the creativity required to &#8220;paint the picture&#8221; for the German intelligence services&#8212;&#8211;</p></blockquote>
<p>And this is Chris&#8217;s first contact with me &#8211; if anyone has information they would like to contribute towards this screenplay then please <a href="http://tomasharris.com/contact/" target="_blank">contact me, Anita Harris</a>, through my website and I will put you in touch with each other.</p>
<blockquote><p>Dear Anita,</p>
<p>May I firstly congratulate you on your three excellent web sites  (<a href="http://www.TomasHarris.com" target="_blank">www.TomasHarris.com</a>, <a href="http://www.AnitaHarrisFamily.co.uk" target="_blank">www.AnitaHarrisFamily.co.uk</a> and also the ever growing <a href="http://anitaharrisfamily.co.uk/sir-anthony-blunt-writes-article-about-tomas-harris-after-tomas-dies-in-a-car-crash-in-mallorca-in-1964/" target="_blank">Tribal Pages Family Tree) </a>celebrating the Harris Family and, in particular, Tomas Harris. Both have been extremely useful to me in conducting my research.</p>
<p>As you now know, my own interest in Tomas Harris began about 6 months ago as I cast around for real-life “historical drama” material for one or more potential screenplays.</p>
<p>My interest in the Second World War in general and D- Day in particular is borne out of my own father’s involvement. He was a young (20 year-old) Royal Marine in charge of three landing craft in the second wave at Sword beach on 6th June.</p>
<p>However, I have been drawn in particular to the use of deception during the Second World War. I do feel that the British often get a poor showing in traditional Hollywood movies because we always appear somehow ‘timid’ in our approach compared to, say, the Americans. Aside from the fact that this is a huge generalization (and often not at all true), the British desire to “play cricket rather than football” was naturally borne out of a deep-seated revulsion at, and desire to avoid, the slaughter of he First World War.</p>
<p>The screenplay that I have partially completed focuses mainly (but not exclusively) on the partnership of Tomas Harris and Juan Pujol and their hugely important contribution to the conduct of FORTITUDE, the cover and deception operation for D Day.</p>
<p>So why does this make an interesting story? There are many, many reasons, aside, that is, from the almost incontrovertible evidence that thousands of lives were saved as a result of their efforts; too many, in fact, to list here. But the most captivating from a “writers” perspective are the extraordinary characters of the main protagonists. Juan &#8211; the unlikely Spanish spy. Fantastical, comedic, and certainly lucky, but also highly intelligent. Tomas &#8211; enigmatic, likeable, persuasive, but unconventional and hugely creative.</p>
<p>I share Andreu Jaume’s view that the Garbo story, told many times in books, and now in the 2009 documentary (which I have to say I have yet to see<br />
as I am having some difficulty getting access to it) have focused disproportionately on Pujol. They have all underplayed Harris’ role and my intention would be to redress the balance. This is a shame for all sorts of reasons, not least because Harris is such an interesting, intriguing and enigmatic character. The crowd he mixed with during and after the war were also, needless to say, some of the most beguiling characters of the 20th century!</p>
<p>Both are mysterious individuals (with strange and in some cases infamous friends) and there is a lot we will never know about them.</p>
<p>But there is a story in here nonetheless that is crying out to be told. Whilst there are many factual books and documentaries on the subject, very few focus on Harris and very few do justice to the drama of events and characters concerned. To put this right we need to unearth as much as possible about the individual personalities. Not facts and dates, but motivations and emotions. If anyone reading your website can offer any help with this, then I would be very pleased to hear from them.</p>
<p>Then of course the story needs to be played out on the screen. Any help with that would also be gratefully accepted!</p>
<p>More than anything I think that the wider “deception” story is a great lesson in the differences that a single individual can make in the face of a global crisis. In a way it is humbling to know that your great uncle probably did quite a lot to keep my Dad, and those like him, alive!</p></blockquote>
<p>Chris has carried out major research over the last 6 months since he first heard of Tomas Harris and Juan Pujol and their grand deception plans to deceive the Germans into thinking the D-day landings would occur in Calais instead of Normandy, resulting in the beginning of the end of WWII. Chris has kindly supplied me with the following information some might find very informative.</p>
<blockquote>
<div>I have, however, put a fair amount of effort into background research, having been made aware of the Garbo/Tomas Harris partnership about 6 months ago. I am sure you will have tracked these sources down but in case it helps at all, I list them below. Most of them are prepared from the archive material now readily available at the National Archives so that cuts down the work required.</div>
<div>In no particular order (except the order I read them) the sources I digested were:</div>
<div><strong>Ten Days to D Day</strong> &#8211; David Stafford. (Mostly about other things but brings the Garbo role in D Day to life)</div>
<div><strong>Operation Garbo</strong> &#8211; Juan Pujol and Nigel West. (Obviously Pujol&#8217;s own account, which has been criticized by some as lacking &#8220;impartiality&#8221;, e.g. the way he completely writes his wife out of the story. But Nigel West&#8217;s sections are excellent. For example the account of how Pujol was tracked down by West in 1984, more than 30 years after he (with Tomas&#8217; help) had faked his own death. Inspiring stuff!).</div>
<div><strong>Bodyguard of lies</strong> &#8211; Anthony Cave Brown. (Written in the 60&#8242;s and 70&#8242;s, before a lot of the detail had come out, Cave-Brown only mentions Garbo in passing. But his wider account of the deception campaigns of WWII, and their origins in WWI is very entertaining. It says on the cover that &#8220;there is enough material here for 20 espionage novels&#8221;, but I think there is enough for a 10 episode mini series for sure. In fact I have already sketched out the ten programmes I would make from it&#8230;.).</div>
<div><span style="font-family: arial, sans-serif;"><strong>The Double Cross System &#8211; </strong>JC Masterman. (He was the Chairman of the 20 Committee that ran the double cross agents. So he knows what worked and what didn&#8217;t. He was a great cricket fan and my favourite quote is &#8220;If SNOW [an earlier agent] was our WG Grace, the GARBO was our Don Bradman&#8221;. High praise indeed).</span></div>
<div><strong><br />
</strong></div>
<div><strong>Garbo &#8211; The Spy Who Saved D Day &#8211; </strong>Tomas Harris and Forward by Mark Seaman.<strong> (</strong>The official MI5 record of the Garbo case, compiled by Tomas Harris shortly after the war. See below for further comment).</div>
<div><strong>A Climate of Treason</strong> &#8211; Andrew Boyle. (Mostly about the Cambridge 5 spy ring, but contains some affectionate commentary on Tomas Harris).</div>
<div><strong>Fortitude &#8211; The D Day deception campaign</strong> &#8211; Roger Hesketh. (He was in charge of the implementation of Fortitude, so he should know! Again an official record, written for historical accuracy rather than entertainment, so there is a LOT of detail that will distract from the interesting stuff. But it is interesting to note that time and time again he refers to the fact that all the physical and wireless deception, on which so much was thought to depend, achieved almost <em>nothing </em>compared to the double cross agents Garbo and Brutus. He more or less says, forget everything else we did (inflatable tanks, dummy landing craft etc), Garbo and Brutus won the day).</div>
<div><strong>Anthony Blunt &#8211; His Lives &#8211; </strong>Miranda Carter. (Again about the Cambridge Spies, but mentions Harris in 12 separate sections)</div>
<div><strong>My Silent War</strong> &#8211; Kim Philby. (As above, although I haven&#8217;t got to this yet).</div>
<div>In amongst all of that was, of course, Anita&#8217;s excellent websites, which added some much appreciated colour to he whole story. There is also the 2009 documentary by a Spanish Director Edmon Roch, which I haven&#8217;t managed to get a copy of yet.</div>
<div>As far as the National Archives are concerned, most direct searches for Tomas Harris/Garbo will take you back to the official MI5 account of the case, Tomas&#8217; own account &#8211; Garbo &#8211; The Spy Who Saved D Day. This is a fairly factual account, as of course it was bound to be, being written by a professional MI5 case worker and intended as an official record. It is, however, a must read account of course. Some of the more touching personal stories come at the end of the case, e.g. when Pujol visits his German Handler, Kuhlenthal, in Madrid.</div>
<div>There are also the more recent releases from Guy Liddell&#8217;s wartime diaries (head of MI5 counter Espionage section) but I think Mark Seaman has done a good job of researching those and include all relevant material in his forward to Tomas Harris&#8217; book.</div>
<div>I have also prepared (but haven&#8217;t yet actioned) a list of National Archive files that I intend reading through over the next few weeks (time permitting). Most deal more generally with the WWII deception campaigns (such as Bodyguard, Fortitude and the wider work of the London Controlling Section),</div>
</blockquote>
<div style="text-align: center;">&#8212;&#8212;- Please <a href="http://tomasharris.com/contact/" target="_blank">contact Anita Harris</a> (REF : CHRISTOPHER MATON/Screenplay) if you have any information you would like to share  &#8212;&#8212;-</div>
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		<title>Date change for the &#8216;Tomas Harris Art Exhibition&#8217; in Palma, Mallorca&#8230; NOW JANUARY 2011</title>
		<link>http://tomasharris.com/date-change-for-the-tomas-harris-art-exhibition-in-palma-mallorca-now-january-2011/</link>
		<comments>http://tomasharris.com/date-change-for-the-tomas-harris-art-exhibition-in-palma-mallorca-now-january-2011/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 11:15:49 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Tomas Harris]]></category>

		<guid isPermaLink="false">http://tomasharris.com/?p=403</guid>
		<description><![CDATA[The Tomas Harris Art Exhibition that was due to be held this summer in Palma, Mallorca  has been delayed. The latest information received, states that it is now planned for January 2011. View more information here about this Tomas Harris Art Exhibition which is being organized by Andreu Jaume, who grew up in what was the [...]]]></description>
			<content:encoded><![CDATA[<p>The Tomas Harris Art Exhibition that was due to be held this summer in Palma, Mallorca  has been delayed. The latest information received, states that it is now planned for January 2011.</p>
<p>View more information here about this <a href="http://tomasharris.com/tomas-harris/tomas-harris-art-exhibition-in-palma-mallorca-july-2010/" target="_self">Tomas Harris Art Exhibition</a> which is being organized by Andreu Jaume, who grew up in what was the home of Tomas Harris at Camp De Mar in Andratx Mallorca, which to  this day has changed very little.</p>
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		<title>Tomas Harris&#8217;s Wife was Hilda Webb. Where are her three sisters, Ivy Webb, Madge Tribe and Ella Powell?</title>
		<link>http://tomasharris.com/tomas-harriss-wife-was-hilda-webb-where-are-her-three-sisters-ivy-webb-madge-tribe-and-ella-powell/</link>
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		<pubDate>Sat, 01 May 2010 05:35:07 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Tomas Harris]]></category>

		<guid isPermaLink="false">http://tomasharris.com/?p=291</guid>
		<description><![CDATA[Please contact me (Anita Harris) &#60;&#8212; please click link to contact me if you can provide any details which  may help lead me to make contact with any of Hildas three sisters, Ivy Webb, Madge Tribe and or Ella Powell.  New information : added 1st May 2010: Madaline Tribe (Tomas&#8217;s wife&#8217;s sister) was 103 in 2007 and living in a [...]]]></description>
			<content:encoded><![CDATA[<p>Please <a title="Send Anita Harris a message or information - Thank you" href="http://tomasharris.com/contact-anita-harris/" target="_blank">contact me (Anita Harris)</a> &lt;&#8212; please click link to contact me if you can provide any details which  may help lead me to make contact with any of Hildas three sisters, Ivy Webb, Madge Tribe and or Ella Powell. </p>
<p>New information : added 1st May 2010:</p>
<ul>
<li><span style="color: #00ff00;"><strong>Madaline Tribe (Tomas&#8217;s wife&#8217;s sister) was 103 in 2007 and living in a nursing home in the Guildford area. It will soon be known if Madaline is still alive or not (but she would be 105/106 now) . Contact has been made with Madalines daughter and we are currently awaiting a response. Thank you Morlin Ellis for this wonderful information.. Guildford is my home town, so maybe Madalines daughter lives very close by. What a small world&#8230;  The family tree will be updated with this new information shortly&#8230;</strong></span></li>
</ul>
<p>New information : added 24th Feb 2010 :</p>
<ul>
<li>Tomas Harris&#8217;s sister in law, Ella Powell (née Ellaline Alice Webb) is buried in Ladywell &amp; Brockley Cemetery in Kent. She married Harold Alfred Powell and died in 1978.</li>
<li>I have received a copy of the 1911 census report, which shows Ernest campell Webb at 36, Alice Elizabeth at 38, (married for 12 years), Ella at 10, Ivy at 7, Madaline(Madge) at 6 and Hilda (Tomas&#8217;s wife) at 1 year old. Alice was born in Kent, and the <a href="http://www.nwkfhs.org.uk/ladyw327.htm" target="_blank">cemetry report </a>shows that Ernest, Alice, Ella and her husband Alfred are all buried in Kent.</li>
<li>I have also discovered the date Hilda and Tomas were married as I have a copy of their marriage certificate in my possession (10 august 1931, in St Marlebone, London)</li>
</ul>
<p><a href="http://www.clker.com/clipart-3859.html" target="_blank"><img class="alignright" style="margin: 5px; border: 0px;" title="open book icon" src="http://www.clker.com/cliparts/2/e/a/8/11949858885381488470a025.svg.thumb.png" alt="" width="100" height="67" /></a>Andreu Jaume, from Mallorca is writing Tomas Harris&#8217;s biography, and hopes to make contact with them (or anyone who knows them) on the off chance that they may be able to help in some way with his reasearch for his book, which may be titled &#8216;The Lives of Tomas Harris&#8217;</p>
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		<title>Documentary about the British double agent- Garbo &#8211; “who saved the world” opens this week</title>
		<link>http://tomasharris.com/documentary-about-the-british-double-agent-%e2%80%9cwho-saved-the-world%e2%80%9d-to-open-in-palma-in-english-this-week/</link>
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		<pubDate>Wed, 21 Apr 2010 09:40:41 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Garbo]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Tomas Harris]]></category>

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		<description><![CDATA[Documentary opens in Palma in English this week &#8211; article written by By Humphrey Carter, in the Majorca Bulletin 21st April 2010&#8230;   A new documentary about the flamboyant Spanish double agent who duped Hitler in a British secret service plot which ensured the success of the Normandy landings. Joan Pujol García, who was awarded the [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Documentary opens in Palma in English this week &#8211; article written by <span style="font-family: Verdana, Arial, Helvetica; color: #000000; font-size: x-small;"><strong>By Humphrey Carter, in the Majorca Bulletin 21st April 2010&#8230;</strong></span></strong></p>
<p><strong> </strong><br />
A new documentary about the flamboyant Spanish double agent who duped Hitler in a British secret service plot which ensured the success of the Normandy landings.</p>
<p>Joan Pujol García, who was awarded the MBE for his efforts, was known by the British codename Garbo and the German codename Arabel.<br />
He had a key role in the success of Operation Fortitude, the deception operation intended to mislead the Germans about the timing and location of the invasion of Normandy towards the end of World War II.</p>
<p>The false information Pujol supplied helped persuade German intelligence the main attack would come in the Pas de Calais, resulting in a decision to withhold troops from the area around the Normandy beachhead. The son of an&#8230;. <a title="Read the rest of this article" rel="nofollow" href="http://majorcadailybulletin.es/first.dba?-1+0+0" target="_blank">READ MORE </a></p>
<p>&#8230;&#8230;&#8230;&#8230;.   His MI5 case officer was a Spanish-speaking intelligence officer <span style="color: #00ff00;">Tomas Harris</span> who is <span style="color: #00ff00;"><strong>buried here in Majorca</strong></span> where he died in a car crash in 1964.<br />
Garbo’s information to the Germans included fictitious tales throughout the war&#8230;.. <a title="Read the rest of this article" rel="nofollow" href="http://majorcadailybulletin.es/first.dba?-1+0+0" target="_blank">READ MORE </a><br />
Extract from the <a title="View Full article in the Majorca Daily bulletin" rel="nofollow" href="http://majorcadailybulletin.es/first.dba?-1+0+0" target="_blank">MAJORCA Daily Bulletin &#8211; 21st April 2010 </a></p>
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		<title>FILM &#8211; Garbo the Spy &#8211; in May at the International Film Festival &#8211; San Francisco</title>
		<link>http://tomasharris.com/film-garbo-the-spy-in-may-at-the-international-film-festival-san-francisco/</link>
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		<pubDate>Wed, 07 Apr 2010 20:35:58 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Tomas Harris]]></category>

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		<description><![CDATA[Garbo &#8211; The Spy, Film by Garbo &#8211; Known by the Germans as Arabel, and by the British as Garbo, the Spaniar was one of Britains most successful double agents in history, responsible for perpetrating the greatest fraud of the Second World War and helping make possible the D-Day landings&#8230; The film/documentary will be showing [...]]]></description>
			<content:encoded><![CDATA[<p>Garbo &#8211; The Spy, Film by</p>
<p>Garbo &#8211; Known by the Germans as Arabel, and by the British as Garbo, the Spaniar was one of Britains most successful double agents in history, responsible for perpetrating the greatest fraud of the Second World War and helping make possible the D-Day landings&#8230; The film/documentary will be showing at the <a rel="nofollow" href="http://fest10.sffs.org/films/film_details.php?id=30" target="_blank">International film Festival</a> in San Francisco in May</p>
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		<title>Goya&#8217;s Ghost &#8211; Film  2006  &#8211; Epic story about the Spanish Painter Francisco Goya (1746-1828)</title>
		<link>http://tomasharris.com/goyas-ghost-film-2006-epic-story-about-the-spanish-painter-francisco-goya-1746-1828/</link>
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		<pubDate>Sun, 28 Mar 2010 07:08:23 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Goya]]></category>
		<category><![CDATA[Tomas Harris]]></category>

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		<description><![CDATA[Tomas Harris was a collector of Goya’s prints, and had studied Francisco Goya’s techniques as an engraver at the Slade School of art after the war. He created many engravings of his own to help him understand the methods that Goya had used.  Tomás’s Goya print collection, part of it now available for study in [...]]]></description>
			<content:encoded><![CDATA[<p>Tomas Harris was a collector of Goya’s prints, and had studied Francisco Goya’s techniques as an engraver at the Slade School of art after the war. He created many <a title="View the Tomas Harris gallery showing his engravings and drypoints" href="http://anitaharrisfamily.co.uk/tomas-harris-art-gallery-collection-paintings-obe-knighthood-letters/tomas-harris-art-gallery/" target="_blank">engravings of his own</a> to help him understand the methods that Goya had used. </p>
<p><a  href="http://tomasharris.com/wp-content/uploads/franciscogoyasp.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; margin-left: 0px; border-top: 0px; margin-right: 0px; border-right: 0px" title="Francisco Goya - A self Portrait" src="http://tomasharris.com/wp-content/uploads/franciscogoyasp_thumb.jpg" border="0" alt="Francisco Goya - A self Portrait" width="140" height="153" align="left" /></a>Tomás’s Goya print collection, part of it now available for study in the British Museum’s Department of Prints and Drawings  and his two volume Goya Prints and Lithographs (Oxford, Bruno Cassirer, 1964) have made a major contribution to the understanding of Goya’s etching and lithographic techniques, and have greatly increased the general appreciation of that part of the Spanish artist’s work.</p>
<p>Not knowing anything really about Francisco Goya and his methods of engraving, I found this story (Goya’s Ghosts) very informative and interesting. The film actually shows in quite a bit of detail how the copper plates were made, how the engravings were etched, and how they were then processed to create prints. A very complex looking process I see .. </p>
<p><a title="View the Trailer" rel="nofollow" href="http://www.goyasghoststhefilm.com/" target="_blank"><img style="display: inline; border: 0px;" title="Click Image to View the Trailer for Goyas Ghosts" src="http://tomasharris.com/wp-content/uploads/goyasghoststhefilmcom.jpg" border="0" alt="View the Trailer for Goyas Ghosts" width="532" height="265" /></a></p>
<p style="TEXT-ALIGN: center"><a title="Click link or image to read more about the film - Goya's Ghosts" rel="nofollow" href="http://www.goyasghoststhefilm.com/" target="_blank">Click Image to Read more about Goya&#8217;s Ghosts, and view the TRAILER</a></p>
<p> </p>
<p>Goya’s Ghosts was made in 2006, (click link to view the <a title="Go to site to view Goyas Ghosts Trailer" rel="nofollow" href="http://www.goyasghoststhefilm.com/" target="_blank">Goya’s Ghosts Trailer</a> ) directed by Milos Forman,  and starring Javier Bardem,  Natalie Portman, and  Stellan Skargaerd as Francisco Goya (the Spanish painter initially favoured by Royalty).    Goya is targeted by the Spanish Inquisition after he had painted a young girl whom the church views as a heretic.  The story is described by Netflix as a true epic, by the Oscar winning director Milos Forman.  Years later, the young girl is released from the dungeon and requests Goya’s help in finding the daughter she bore while imprisoned.  (I have read elsewhere that the story is not true, but is based on true historical facts).  All the same an enjoyable movie.</p>
<p> </p>
<h3>Other links  that may be of interest :-</h3>
<p><a title="http://en.wikipedia.org/wiki/Goya's_Ghosts" rel="nofollow" href="http://en.wikipedia.org/wiki/Goya's_Ghosts">http://en.wikipedia.org/wiki/Goya&#8217;s_Ghosts</a></p>
<p><a title="http://en.wikipedia.org/wiki/Francisco_Goya" rel="nofollow" href="http://en.wikipedia.org/wiki/Francisco_Goya">http://en.wikipedia.org/wiki/Francisco_Goya</a></p>
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		<title>Tomas Harris had tapestries made at the Royal Factory, in Madrid, Spain, in the 1950&#8217;s</title>
		<link>http://tomasharris.com/tomas-harris-had-tapestries-made-at-the-royal-factory-in-madrid-spain/</link>
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		<pubDate>Tue, 16 Feb 2010 08:02:40 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Goya]]></category>
		<category><![CDATA[Tomas Harris]]></category>

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		<description><![CDATA[Tomas Harris studied all of Goya Franciscos techniques, and tried and tested nearly all of them as part of his study of Goya.&#160; Goya had tapestries made at the Royal Factory in Madrid, so Tomas, as part of his research and out of interest, had three tapestries made from his own cartoons (blueprints for tapestries) [...]]]></description>
			<content:encoded><![CDATA[<p>Tomas Harris studied all of Goya Franciscos techniques, and tried and tested nearly all of them as part of his study of Goya.&#160; Goya had tapestries made at the Royal Factory in Madrid, so Tomas, as part of his research and out of interest, had three tapestries made from his own cartoons (blueprints for tapestries) which are now in museums in England, Spain and Melbourne.</p>
<p>&#160;</p>
<h2>Read the full story here :-</h2>
<p><strong> –&gt;&gt;&gt;&gt;&#160; </strong><a href="http://anitaharrisfamily.co.uk/tomas-harris-3-tapestries-made-at-the-royal-spanish-tapestry-factory-in-madrid/"><strong>Tomas Harris and his 3 tapestries</strong></a></p>
<p>&#160;</p>
<p><a href="http://tomasharris.com/wp-content/uploads/CopiadeDSCN0047.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="The Tapestry Loom " border="0" alt="The Tapestry Loom " src="http://tomasharris.com/wp-content/uploads/CopiadeDSCN0047_thumb.jpg" width="244" height="244" /></a><a href="http://tomasharris.com/wp-content/uploads/TapestrywovenattheRoyalFactorySpain3.jpg"><img style="border-bottom: 0px; border-left: 0px; margin: 0px 0px 0px 20px; display: inline; border-top: 0px; border-right: 0px" title="Tapestry woven at the Royal Factory Spain (3)" border="0" alt="Tapestry woven at the Royal Factory Spain (3)" src="http://tomasharris.com/wp-content/uploads/TapestrywovenattheRoyalFactorySpain3_thumb.jpg" width="244" height="243" /></a>&#160; </p>
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</p>
<p>The above tapestry (one of three) was made at the Royal Factory in Madrid, and now resides at the Museo de Sevilla, in Spain.</p>
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		<title>Article written by Anthony Blunt &#8211; Tomás Joseph Harris (1908–1964) &#8211; Artist, Art dealer, and MI5 Intelligence Officer</title>
		<link>http://tomasharris.com/article-by-anthony-blunt-tomas-joseph-harris-1908%e2%80%931964-artist-art-dealer-and-mi5-intelligence-officer/</link>
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		<pubDate>Mon, 01 Feb 2010 08:01:23 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Garbo]]></category>
		<category><![CDATA[MI5/SIS]]></category>
		<category><![CDATA[Tomas Harris]]></category>

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		<description><![CDATA[Tomás Joseph Harris (1908–1964), artist, art dealer, and intelligence officer was born on 10 April 1908 at 21 Lymington Road, Hampstead, London, the youngest son and sixth of the seven children of Lionel Harris (d. 1943) and his Spanish wife, Enriqueta Rodriguez. His father had founded the Spanish Art Gallery in Bruton Street and was [...]]]></description>
			<content:encoded><![CDATA[<p>Tomás Joseph Harris (1908–1964), artist, art dealer, and intelligence officer was born on 10 April 1908 at 21 Lymington Road, Hampstead, London, the youngest son and sixth of the seven children of Lionel Harris (d. 1943) and his Spanish wife, Enriqueta Rodriguez. His father had founded the Spanish Art Gallery in Bruton Street and was responsible for importing almost all the important works of art which came from Spain into England in the years before and after the First World War. Tomás was educated at University College School and at the age of<br />
fifteen won the Trevelyan-Goodall scholarship to the Slade School of Fine Art where he studied from 1923 to 1926, concentrating mainly on sculpture. He continued his studies in the arts by spending a year at the British Academy in Rome, but in 1928 he decided to become an art dealer. He set up a small gallery of his own, first in Sackville Street and then in Bruton Street, but after a short time moved it to join his father at the Spanish Art Gallery. He continued to run the latter after his father&#8217;s death in 1943. He was also a talented amateur musician, and played the piano, the saxophone, and other wind instruments. On 10 August 1931 he married Hilda (b. 1919/20), daughter of Ernest Campbell Webb, of London; there were no children of the marriage. As a dealer Harris continued the policy of his father and brought to Britain not only Spanish paintings, including works by El Greco, whose importance was only just beginning to be recognized, but also medieval tapestries, Oriental carpets, Renaissance jewellery, and other objets d&#8217;art in which the palaces and religious houses of Spain were rich. He had an astonishing instinct for discovering works of art in unexpected places, and on one occasion bought a group of panels from a fifteenth-century German altarpiece which were among the contents of an outhouse at a country sale in England. He had a reputation for absolute probity which sometimes aroused the jealousy of his less successful competitors. At the beginning of the Second World War, Harris joined a branch of intelligence which was later dissolved and in 1940 was transferred to the security service, where his intimate knowledge of Spain was of great value. His greatest achievement in this field was as one of the principal organizers of operation Garbo, which was the most successful double-cross operation of the war and which seriously misled the Germans about allied plans for the invasion of France in 1944. The success of the operation, which was described by a senior commander as worth an armoured division, was mainly due to the extraordinary imaginative power with which Harris directed it. In 1945 he was appointed OBE. Even during the war Harris did not completely relinquish his activities as an artist and in 1943 he held a one-man show at the galleries of Reid and Lefèvre in King Street. After the war he gradually freed himself from his commitments as a dealer and spent more and more time in Spain, first at Malaga and then in Majorca where he designed and built a house at Camp de Mar. Here he was able to paint as much as he wanted, and he also experimented with making ceramics and stained glass and designing tapestries, three of which were woven at the royal tapestry factory at Madrid. His great versatility enabled him to master all the technical problems involved in these activities with astonishing ease. At the same time Harris devoted much time to collecting, concentrating first on drawings by the two Tiepolos (which were shown by the Arts Council in 1955) and later on the engravings of Dürer and the etchings of Rembrandt. His greatest achievement was, however, to form a magnificent collection of etchings and lithographs by Goya which in 1979 was accepted in part payment of death duties and is now in the British Museum. Finding that the standard works on Goya were seriously misleading he decided to write a book about the etchings himself and the result was the two volumes published in 1964 which became the standard work. In writing Goya: Engravings and Lithographs he was helped by Juliet Wilson. Harris was notable for his warmth, his generosity, and the enthusiasm with which he threw himself into any undertaking. He died in a motor accident at Lluchmayor, Majorca, on 27 January 1964. In 1975 an exhibition of his work was held at the galleries of the Courtauld Institute, to which his widow and sisters had presented a fine collection of textiles formed by his father and himself.</p>
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		<title>Tomas Harris &#8211; Anglo Spanish Exhibition &#8211; Article and pictures</title>
		<link>http://tomasharris.com/tomas-harris-anglo-spanish-exhibition-article-and-pictures/</link>
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		<pubDate>Sun, 31 Jan 2010 03:29:41 +0000</pubDate>
		<dc:creator>Anita Harris</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Tomas Harris]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[haley bell]]></category>
		<category><![CDATA[john mills]]></category>
		<category><![CDATA[lefevre]]></category>
		<category><![CDATA[men in shadow]]></category>
		<category><![CDATA[paintings]]></category>

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		<description><![CDATA[There was an article written about the Anglo Spanish Exhibition which went as follows :- &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;- D13848 Anglo-Spanish Exhibition As an art dealer, Tomas Harris, half Spanish, half English, specialised in Spanish paintings. As an Artist, who has lived and travelled a lot in Spain, he is much influenced by that country. Because he won [...]]]></description>
			<content:encoded><![CDATA[<p>There was an article written about the Anglo Spanish Exhibition which went as follows :-</p>
<p align="center">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p>D13848</p>
<p align="center"><a href="http://tomasharris.com/wp-content/uploads/StJohnandtheMadonna.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; margin-left: 0px; border-top: 0px; margin-right: 0px; border-right: 0px" title="" border="0" alt="" align="left" src="http://tomasharris.com/wp-content/uploads/StJohnandtheMadonna_thumb.jpg" width="104" height="157" /></a>Anglo-Spanish Exhibition</p>
<p align="center">As an art dealer, Tomas Harris, half Spanish, half English, specialised in Spanish paintings.</p>
<p align="left">As an Artist, who has lived and travelled a lot in Spain, he is much influenced by that country. Because he won a scholarship to the Slade School of Art in London, his art training has been British.</p>
<p><a href="http://tomasharris.com/wp-content/uploads/StJohnandtheMadonnaJohnMillsandwifeHaleyBell.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; margin-left: 0px; border-top: 0px; margin-right: 0px; border-right: 0px" title="" border="0" alt="" align="right" src="http://tomasharris.com/wp-content/uploads/StJohnandtheMadonnaJohnMillsandwifeHaleyBell_thumb.jpg" width="248" height="181" /></a>At the private viewing of his latest paintings on show at the Lefevre Galleries in London, many Spanish and Latin American personalities were present.</p>
<p>Actor John Mills with his wife, Haley Bell, who wrote the play “Men in Shadow” in which her husband is now acting. They look at the Tomas Harris painting of St. John and the Madonna after Grumewald.</p>
<p><a href="http://tomasharris.com/wp-content/uploads/StJohnandtheMadonna1.jpg"></a></p>
<p><a href="http://tomasharris.com/wp-content/uploads/DSCN6637.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="" border="0" alt="" src="http://tomasharris.com/wp-content/uploads/DSCN6637_thumb.jpg" width="506" height="231" /></a>&#160;&#160; </p>
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<p align="center">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
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